The above books are the all-time favorites, while these here below are the latest books on O’Keeffe:

My Faraway One: Selected Letters of Georgia O’Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare Book and Manuscript Library)

The Group of Seven and Tom Thomson

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Art by Frida Kahlo is
Art on Frida Kahlo

Articles Featuring Frida Kahlo

Frida Kahlo Auto-biographical Artwork

A glimpse of the real life of Frida Kahlo (video)

The life of Diego Velasquez

Art Books on Frida Kahlo

To celebrate her, may we suggest some excellent biographical and coffee-table art books on Frida Kahlo:

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The show is called ‘ANDY WARHOL. CARS’, and holds works by Warhol, Fleury, Longo and Szarek.

The Albertina expains:

“CARS presents works from the Daimler Collection, by artists Andy Warhol, Robert Longo, Sylvie Fleury, and Vincent Szarek. Common to all of the works is their examination of the history, the types, or the design of the Mercedes-Benz car.

The core of the exhibit are the thirty-five silkscreen paintings of Andy Warhol’s (1928-1987) series CARS, which employ eight selected types of Mercedes to document the history of the automobile. This important late series by Warhol remained unfinished and after around twenty years is being shown again complete.

Joining this series are drawings and airbrushed paintings by Robert Longo (*1953). Videos by Sylvie Fleury (*1961) blend the myth of the legendary Mercedes-Benz automobile with some of the most contemporary ideas from the art and fashion worlds. Vincent Szarek (*1973) uses design elements from the Mercedes-Benz SLR as the starting point for his group of sculptures, which were digitally developed as a modern form of drawing, rendered with 3D programs. “

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I know that Basquiat’s work is not everybody’s cup of tea, but I personally love his work because it is vibrant, articulate, offers social commentary and is overall interesting: there’s stuff to see and learn from every painting.

To me, his paintings read like a personal art journal, which displays his cultural history, his heros, his beliefs of social justice, his poetry and overall his personal identity.

Learn more about the graffiti and other art by Jean Michel Basquiat.

Selected Works by Jean Michel Basquiat

Worthy Constituant Jean-Michel Basquiat Buy This Fine Art Print (Art.com)

The Dingoes At The Park Jean-Michel Basquiat Buy This Fine Art Print (Art.com)

Icarus Himself Jean-Michel Basquiat Buy This Fine Art Print (Art.com)

Mona Lisa Jean-Michel Basquiat Buy This Fine Art Print (Art.com)

Untitled, 1981 Jean-Michel Basquiat Buy This Fine Art Print (Art.com)

Untitled, 1981 Jean-Michel Basquiat Buy This Fine Art Print (Art.com)

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Biography Juan Gris

A highly intelligent man, Juan Gris initially went to study engineering in Madrid in 1902. Then in about 1904, he switched to painting. Two years later, in 1906 Juan Gris left Madrid as it was too provincial at that time, and moved to Paris. Gris adopted the pseudonym by which he is known today after moving (1906) to Paris.

Portrait of Juan Gris, 1915 Amedeo Modigliani Buy From Art.com

In Paris, Gris met fellow-country man Pablo Picasso, whose lead he followed. They lived in the same building and became friends. In Paris Gris also befriended Georges Braque, another cubist, as well as Henri Matisse, Fernand Léger, and Amedeo Modigliani.

In the early stages of his career, Juan Gris earned his living by providing humorous drawings to L’Assiette au Beurre, Le Temoin and other illustrated papers. Gris began to paint seriously in 1910. Between 1907 and 1912 he watched closely the development of the cubist style.

Gris participated from 1912 in the Cubist movement, his work being noted for its classical purity and lucidity. Gris exhibited at the Section d’Or 1912 and was subsequently offered a contract with Kahnweiler.

In 1912 Gris exhibited his ‘Homage to Picasso’, which established his reputation as a painter of the first rank. He worked closely with Picasso and Braque until the outbreak of World War I, molding their intuitively generated innovative approach with his own, more methodical taste. Picasso, Braque and Gris formed really the three musqueteers of Cubism, with Picasso & Braque being the founders, and Gris the most gifted developer of this genre.

Glass Juan Gris Buy From Art.com

Typical of his approach was his remark about Cezanne, the universally acknowledged father of Cubism:

‘Cezanne made a cylinder out of a bottle. I start from the cylinder to create a special kind of individual object. I make a bottle out of a cylinder.’

Juan Gris was an influential artist of the Section d’Or (the cubists), who also inspired other Ecole de Paris- artists such as Matisse.

Grist embraced collage as soon as Picasso & Braque had invented it, and made paper collages from 1913 to 15. Then he evolved into a more synthetic style, ‘a flat pictorial architecture’.

Gris had his first one-man exhibition at the Galerie de l’Effort Moderne, Paris, 1919. Designed sets and costumes for Les Tentations de la Bergere and other Diaghilev productions from 1921 to 1924. In the ’20s, Gris designed costumes and scenery for Serge DIAGHILEV’s Ballets Russes.

At that time, Juan Gris also completed some of the boldest and most mature statements of his cubist style, with landscape-still lifes that compress interiors and exteriors into synthetic cubist compositions and figure paintings, especially the fine series of clowns.

Settled at Boulogne-sur-Seine in 1922, but spent most winters in the South of France. First illness 1920; increasing ill-health from 1925. Died at Boulogne-sur-Seine.

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Portrait of Josette Gris … Juan Gris Buy From Art.com Figure of a Woman, 1917 Juan Gris Buy From Art.com A Guitar Facing the Sea Juan Gris Buy From Art.com The Coffee Mill, c.1916 Juan Gris Buy From Art.com Guitar and Clarinet, 1920 Juan Gris Buy From Art.com Guitar and Newspaper, 1925 Juan Gris Buy From Art.com Breakfast, 1914 Juan Gris Buy From Art.com The Guitar, Illustration … Juan Gris Buy From Art.com Composicion Juan Gris Buy From Art.com Still Life with a Guitar, 1925 Juan Gris Buy From Art.com The Violin, 1916 Juan Gris Buy From Art.com The Fruitbowl Juan Gris Buy From Art.com L’As de Carreau Juan Gris Buy From Art.com The Book, 1913 Juan Gris Buy From Art.com White Bordeaux, 1913 Juan Gris Buy From Art.com Portrait of Pablo Picasso… Juan Gris Buy From Art.com Glass and Bottle, 1919 Juan Gris Buy From Art.com Glass Juan Gris Buy From Art.com Das Notenblatt, 1914 Juan Gris Buy From Art.com Still Life with a White Cloud Juan Gris Buy From Art.com The Fruit Bowl, 1925-27 Juan Gris Buy From Art.com A Violin and Glass, 1918 Juan Gris Buy From Art.com Still life in Front of a … Juan Gris Buy From Art.com Bowl and Book Juan Gris Buy From Art.com

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Pablo Picasso (1881-1973), Spanish; School of Paris painter, sculptor, etcher, lithographer, ceramist and designer; influenced 20th century art enormously; worked in an unprecedented variety of styles.

Picasso’s art is categorized into periods. The most well-known periods in his work are the Blue Period, the Rose Period (1905–1907), the African-influenced Period (1908–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919). Names of many of his later periods are not as clearly defined.

The Years of Picasso’s Blue Period

The three years known as Pablo Picasso’s Blue Period was a time when a pale, cold blue was the dominant color in his paintings and drawings, and when the mood of his paintings, mostly paintings of poor people and sad-faced women, was very gloomy.

There were several factors that shaped Pablo Picasso’s paintings of that time.

First, the ‘Blue Period’ constituted some difficult, unsettling times for Picasso personally. It was the first time that Picasso was away from home, and he moved back and forth between Spain and France quite a bit.

In 1900, Picasso visited Paris, then the art capital of Europe, for the first time with his friend Carlos Casagemos. It was on the occasion of the Universal Exhibition, an exhibition which included one of Picasso’s paintings. Picasso lands a contract with the art dealers Pere Manach as well as sales and future exhibitions at the Berthe Weil gallery. In 1901 Picasso moved to Madrid, and makes a second trip to Paris, and has his first exhibition there in the Vollard Gallery. In 1902 he moves back to Barcelona and makes a third trip to Paris. In 1904 he finally settles in Paris, in Montmartre.

Second, the struggling young artist, Picasso, was so poor that he often did not have sufficient funds to pay rent or to buy art materials. Some of his paintings were made into firewood to keep his apartment warm.

Third, the period marks the death of his friend, Carlos Casagemas. Carlos had attempted to commit suicide because of a broken heart. The loss of his friend made a huge impression on him and brought on a period of depression for Picasso.

It was February 1901, while Picasso was in Madrid, when he received news of Casagemas’s suicide. In response he produced several intense paintings of his dead friend including the ‘Death of Casagemas’ (made in summer 1901) and a symbolically complex work, ‘Evocation: The Burial of Casagemas’ (later in 1901). This latter painting superimposed allusions to the art of the past and in particular to El Greco’s ‘Burial of Count’ Orgaz (1586–8).

Fourth, at that time, Pablo Picasso was a young artist, just in his early twenties. While he had starting painting at an supreme early age (3 years old), his early twenties was a time when Picasso was looking for a style of his own. He was very prolific at that time, painting and drawing at all times.

Fifth and finally: Picasso’s depicted melancholy was also a sign of the times. In the artistic cycles of Barcelona at that time, early death, suicide and doubt about one’s own calling were common.

Characteristics of Blue Period Paintings

During this time, Picasso’s paintings and sketches were mostly done in its melancholy palette of predominantly blue tones. The mood of his paintings and sketches during this period showed strong emotions.

In 1901, Toulouse Lautrac dies in Paris, and large individual exhibitions are dedicated to him the following year. In terms of style, young Picasso artist was following in the footsteps of Toulouse-Lautrec, Degas, and the 19th Century symbolists. Picasso explored actually all the avant-garde painting styles of that time, in an endeavor to find his own.

While monochromatic, these early paintings by Picasso are far from simple: they are layered and complex, typically rich with symbolic color, exaggerated form, and abstracted spaces.

Picasso’s Blue Period paintings borrowed El Greco’s elongated forms and hallucinatory spaces.

During his Blue Period, Picasso started to sign his works with “Picasso” instead of the prior “Pablo Ruiz y Picasso.”

Motifs in Picasso’s Blue Period

During the The Blue Period, Picasso focused almost exclusively on gloomy themes and the disenfranchised. His subjects included blind beggars, drunks, laborers and women from a prison in Paris. Most of his artworks were portraits. Perhaps no artist depicted the plight of the underclasses with greater poignancy than Picasso.

As Picasso lived himself in relative poverty in his early years in Paris, Picasso obviously empathized with the disenfranchised around him. He often portrayed them with great sensitivity and pathos.

Examples of Paintings of Picasso’s Blue Period

Excellent examples from the period depict include the Blue Nude (1902), The Tragedy (1903) and The Old Guitar Player (1903).

Child with a Dove, c.1901 Pablo Picasso Buy From Art.com

Picasso – Child with a Dove – Just Before the Blue Period

Picasso’s father bred doves. Many of Picasso’s childhood sketches included them. This work refer to memories of Picasso’s childhood, and in particular to his sister Conchita, who passed away in 1895 because of diphtheria. Picasso’s work took on a new maturity after her death. His sadness over the loss of his sister contributed to the melancholy in Picasso’s Blue Period. Picasso painted ‘Child Holding a Dove’ just prior to his ‘Blue Period’. The painting represents influences which marked his early work.

Blue Nude, c.1902 Pablo Picasso Buy From Art.com

Pablo Picasso – Blue Nude

The Blue Nude is currently in the Picasso Museum in Barcelona, Spain.

It depicts the back of a woman in fetal position. Her emotions are not clear.

The Old Guitarist, c.1903 Pablo Picasso Buy From Art.com

Pablo Picasso -The Old Guitarist

The painting, The Old Guitarist, is presently held at the Art Institute of Chicago, Chicago, US.

Pablo Picasso painted The Old Guitarist in 1903. The painting was made just after the suicide death of Picasso’s close friend, Casagemas.

This work was created in Madrid, and the distorted style (note that the upper torso of the guitarist seems to be reclining, while the bottom half appears to be sitting cross-legged) is reminiscent of the works of El Greco.

The hidden secret
The painting ‘The Old Guitarist’ is known for a ghost-like appearance of a mysteriously faced a women painted underneath. (Her face is above the old man’s neck). As Picasso was strapped for cash to buy art materials, it is likely that Picasso reused materials. Most likely, he originally started painting a portrait of a seated, upset woman. Only her face and legs are visible.

The Tragedy, 1903 Pablo Picasso Buy From Art.com

Pablo Picasso – The Tragedy

‘The Tragedy’ (1903) can be found by the National Gallery of Art in Washington D.C., US.

The painting depicts three figures, one presumes a family, wife to left, husband center and boy of perhaps five years of age left, stand barefoot on a beach, a greenishblue beach in front of a pale blue sea and a darkened dusky sky blue. The man and woman have their heads bowed down. The boy is clapping his hands for heat. The husband looks old.

There is something between that they must say but can’t say and they acknowledge that they can’t say it. Someone or something is missing. A home? A person? Sustenance? There is a space between them they know not how to fill.

La Vie, 1903 Pablo Picasso Buy From Art.com

Pablo Picasso – La Vie

La Vie, 1903. This painting marks the peak of Picasso’s Blue Period, and at the same time it represents the sum-total of this period. It is amongst his most famous paintings of this period.

This Picasso painting is currently in the Cleveland Museum of Art in Ohio, US.

As you can see here, it depicts an Eden-ish couple standing to the left. The nude woman in the moment after a shock, just in the beginning of absorbing it, cradling her head on the man’s shoulder. The blue loin-clothed man is painted in a classical pose with his finger pointing towards a mother on the right, who is holding an infant swaddled in a blanket. The mother looking somber, severe, fearful, angry, tired ….

In between the couple on the left and the mother with child on the right, there are two blue outlined silhouettes. In a slightly lighter shade of blue, a man consoling a woman, beneath them, a figure cradling head on knees, either weeping in torment, asleep or dead. It is as if the man is asking the mother what will become of her child, and in the space between, where one might expect find hope, instead there is desolation or, at best, mutual consolation.

There is no simple explanation to this painting, although many stories could be told based on this work. ‘La Vie’ is really a complex Symbolist allegory that evolved through numerous sketches. As X-rays analysis revealed that ‘La Vie’ is painted over ‘Last Moments’ and that it underwent several revisions. Its synthesis and layering of references rule out a fixed reading.

Autobiography is embedded in the male figure, which was begun as a self-portrait but later given the features of Casagemas. The iconically stiff composition, compressed space and enigmatic gestures, however, evoke a more general significance.

Conclusion

“Expression: Whenever I have had something to say, I have said it in the manner I felt I ought to say it. Different motives inevitably require different methods of expression.” ~ Picasso

At the young age of 20, Picasso already realized a distinct style of art that is all of his own, despite his borrowing from various other artists and artistic movements and styles.

Picasso’s Blue Period was followed by Picasso’s Rose Period, which began in October 1904, following an exhibition of Picasso’s work at the Berthe Weill gallery of 12 works from the previous three years. His was favorably reviewed.

Both the Blue and the Rose periods were precursors to Cubism, which later defined much of Picasso’s career.

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The Abstract Art of Gerhard Richter (1932-, Dresden) is currently on show everywhere in Europe, it seems:

Abstract Painting, 1992 Gerhard Richter Buy This Fine Art Print From Art.com

Gerhard Richter in Germany

If you can just do one show, consider the ‘Gerhard Richter’s Abstract Paintings exhibition at the Haus der Kunst in Munich, Germany. This just-opened show will run until May 17, 2009.

This ‘Gerhard Richter – Abstract Paintings’ exhibition includes 50+, mostly large, format paintings of an incredible painterly poetry appearing like ‘cascades of intoxicatingly psychedelic colours’, to use the words of Tagesspiegel.

Gerhard Richter has been painting his abstract paintings since the ’70s. Today, they comprise nearly 70% of all his work. With its concentration on this type of painting, this exhibition differs from past Richter retrospectives, which primarily focused – each updated – on the proportional shift from the artist’s photograph-based paintings to his abstract ones.

‘For me, there is no difference between a landscape and an abstract picture.’ – Gerhard Richter

These large format paintings usually form a series. They testify to the artist’s continued examination of the conditions of painting: its principles, limits and possibilities. The innate properties of color and form, as well as the inclusion of the painterly process, is of central importance to Richter’s abstractions:

‘I … want to preserve a painting at the end that I had not actually planned for … I, naturally, very much want to preserve something more interesting that what i can invent’.

Thereby, Richter does not start with a predetermined motif for his abstract paintings, but rather works until the picture is recognisable – a working process that the artist describes as ‘meticulously planned spontaneity’.

Wald, 2005; Gerhard Richter

During an intensive creative process color elements and structures are applied with paintbrushes, scrapers and spatulas layer by layer; already existing layers are overlaid, expunged or exposed by scraping. The tools’ and coatings’ traces add themselves to the spatial or landscape-like structures, though, without ever compacting into a recognizable object.

Some of Richter’s abstract paintings pass through more than thirty stages of which nothing more than a hint remains at the end, and, yet, these are a significant part of the finished work. In one way, the abstract paintings clearly attest to their origination process, but in another way they shroud exactly this.

Show Address: Haus der kunst, Prinzregentenstrasse 1, München, Germany. For more info: www.hausderkunst.de

About Gerhard Richter’s Art in General

The British Guardian considers Gerhard Richter a ‘Picasso of the 21st century’, the Frankfurter Allgemeine newspaper sees him as ‘the master of all genres’.

Gerhard Richter became famous with his photo realist paintings in the 1960s, although his oeuvre comprises monochrome and abstract paintings, graphic prints, works in glass and sculptures.

Gerhard Richter in the States

If you can’t make it to Europe this Spring, consider a trip to Los Angeles, where Gerhard Richter is part of a group show ‘Art of Two Germanys. Cold War Cultures’. You can find the show at the Los Angeles County Museum of Art, Los Angeles, US. It is on now and will run till April 19 2009.

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Wyeth has become one of America’s most famous painters thanks to his idyllic way of paintings his surroundings: the landscapes, farms, tree lands, farm houses, and neighbors in Chadds Ford, Pennsylvania.

What strikes me most about the news of Andrew Wyeth is the way he died. It had the same idyllic poetry with which he painted. Who would not like to die of old age, without too much pain, sleeping, surrounded by loved ones?

Art is life and life is art – at least for Andrew Wyeth it was.

To commemorate the American realist painter, I would like to mention 5 highlights of Andrew Wyeth’s art career:

1. While the rest of the art world explored ‘Abstract Expressionism‘, Wyett did his own thing, i.e. realism. Specifically, he painted his world his way. And he became most famous it. Some art critiques call him ‘an icon of Americana’. Well, actually Wyeth did represent post-war America’s nostalgic yearning for a return to what had been normalcy. Does that make him less of an artist? He was no more or no less a sign of his time than self-managed contemporary British artist Damien Hirst, or was he?

2. Wyeth received many awards during his lifetime including some prestigious ones, such as: being the first artist to receive President Kennedy’s “Presidential Freedom Award” America’s highest civil award (’63). Also, Andrew Wyeth had been the first living artist to have had an exhibition at the White House (’70). He was the recipient of the National Institute for Art & Letters’ Gold metal for Painting (’65). And when the Helga pictures came out, he had been one of the few single artists to have been hailed as a creator of ‘a national treasure’ and to receive a coast-to-coast solo exhibition tour from the National Gallery of Art.

Christina’s World Andrew Wyeth

3. His painting of a young woman in a field, ‘Christina’s World’ (1948) became one of the best known paintings in America. It is his most famous single artwork. The painting is one of the most popular works on view at the Museum of Modern Art in New York.

‘Christina’s World’ is made in tempera. Wyeth started his art career in watercolors and dry brush, and then moved to egg tempera, which became ‘his’ medium. The tempura allowed him to achieve his superb textural effects.

The story behind ‘Christina’s World’, as MoMA explains it, is this:

“The woman crawling through the tawny grass was the artist’s neighbor in Maine, who, crippled by polio, “was limited physically but by no means spiritually.”

Wyeth further explained, “The challenge to me was to do justice to her extraordinary conquest of a life which most people would consider hopeless.” He recorded the arid landscape, rural house, and shacks with great detail, painting minute blades of grass, individual strands of hair, and nuances of light and shadow.

In this style of painting, known as magic realism, everyday scenes are imbued with poetic mystery.”

4. Andrew Wyeth managed to surprise the public once again in ’86 with ‘The Helga Pictures’ ~ a large collection of paintings featuring a single subject, i.e. a neighbor by the name of Helga Testorf. The collection of 240+ individual works went beyond tempura and includes dry brush paintings, watercolors and pencil studies. It had been created over a span of fifteen years (’71-’85). Andrew Wyeth created these artworks without telling a single person, including his wife, for over a decade.

The entire collection was said to be sold for $40 million in ’86 to publisher Leonard E. B. Andrews, complete with copyright to the artwork and all. Leonard Andrews agreed to keep the collection together and offer public access. Washington’s National Gallery of Art organized a tour from America’s coast-to-coast during ’87-’89. 10 months after the tour, 200 or so of The Helga Pictures were sold for $50 million to an unidentified Japanese industrialist, who has continued public access to the works through exhibitions.

Watercolor Artist – $ 19.96 Features practical, step-by-step instruction & illustrations for watercolor painting. Plus, each issue introduces new artists, answers specific readers’ questions.

I’m not getting into the scandals and speculations about The Helga Pictures. Truth is, they are skillful executions and it’s unique for a single subject to be painted over and over again during decades. I’m not sure if prolific artist Picasso matches the number of paintings of ‘Dora Maar’, but knowing Picasso: he would not like to be compared.

Where to see AndrewWyeth

Brandywine museum, Chadds Ford, PA
Museum of Modern Art, New York, NY

© copyright 2009 A. Lee, eArtfair.com – all rights reserved.

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This first part of the article includes a detailed biography of Henry Darger and a description of his Outsider Art making methods.

Here are the remainder of the video clips. At the end of the article, after the clips I’ll tell you where to go see the works by Henry Darger and give you some recommendations for further reading on Henry Darger.

** BLOG UPDATE: Due to a copyright dispute, the youtube videos “In the Realms of the Unreal (Outsider Art by Henry Darger) Part 7-12″ had to be removed. **

Where to See the Works by Henry Darger

The best place to see Darger’s work has to be the Henry Darger Studio Center at the American Folk Art Museum in New York City. This center was established by the museum in 2000. It houses all four manuscripts and over 24 paintings, plus approximately 3,000 items from Darger’s archive of ephemera and source material. This comprehensive collection is one of a kind in the world of the art of the self-taught and is the largest public collection of works by Darger.

However, Darger’s work is also included in the permanent collections of the Museum of Modern Art, New York; the Collection de l’Art Brut, Lausanne; the New Orleans Museum of Art; the Art Institute of Chicago; the Museum of Contemporary Art, Chicago; and the Milwaukee Art Museum. Furthermore, specialist outsider art galleries feature his work. I’m sure there will be some references to his work by them this weekend at the Outsider Art Fair in New York City.

Highly Recommended Further Reading on Henry Darger

Henry Darger: In the Realms of the Unreal Essential, remarkable Book. Like a detective, “MacGregor makes Henry Darger real : as a deeply damaged child and adult, as a tormented believer in God, as a person of enormous inner resources, and as a creative genius.”

Henry Darger: Art and Selected Writings By Michael Bonesteel Said to be the most-comprehensive reference; pricey, but worth it.

Darger: The Henry Darger Collection at the American Folk Art Museum

How to Look at Outsider Art

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